Catherine Opie
Bibliography
Monographs
2021
Als, Hilton, Douglas Fogle, and Helen Molesworth, Catherine Opie, London: Phaidon, 2021
2017
Opie, Catherine, Yosemite, Paso Robles: Nazraeli Press, 2017
Bresciani, Ana María, Russell Ferguson, and Natalie Hope O'Donnell, Catherine Opie: Keeping an Eye on the World, Oslo: Henie Onstad Art Center/Cologne: Verlag der Buchhandlung Walther König, 2017
2015
Als, Hilton, Tim Mendelson, Catherine Opie, and Ingrid Sischy, 700 Nimes Road, New York: Prestel, 2015
2011
Kelsey, John and Brian Phillips, eds., Rodarte, Catherine Opie, Alec Soth, Zürich: JRP Ringier, 2011
Myles, Eileen, Catherine Opie: Inauguration, New York: Gregory R. Miller & Co., 2011
Medvedow, Jill and Anna Stothart, Catherine Opie: Empty and Full, Ostfildern: Hatje Cantz, 2011
2008
Allison, Dorothy, Jennifer Blessing, Russell Ferguson, and Nat Trotman, Catherine Opie: An American Photographer, New York: Guggenheim Museum, 2008
2006
Fitzpatrick, Robert and Elizabeth Smith, Catherine Opie: Chicago (American Cities), Chicago: Museum of Contemporary Art, 2006
Armstrong, Elizabeth, A.M. Homes, and Jessica Hough, Catherine Opie: 1999 / In and Around Home, Ridgefield: The Aldrich Contemporary Museum of Art/Newport Beach: Orange County Museum of Art, 2006
2002
Fogle, Douglas, Catherine Opie: Skyways and Icehouses, Minneapolis: Walker Art Center, 2002
2000
Bush, Kate, Joshua Decter, and Russell Ferguson, Catherine Opie, London: Photographer's Gallery, 2000
Steiner, Rochelle, Catherine Opie: In between here and there, St. Louis: Saint Louis Art Museum, 2000
Currents 82: Catherine Opie, St. Louis: Saint Louis Art Museum, 2000
1998
Cantor, Ellen and Joachim Koester, Lost Paradise: Catherine Opie, Porto: Presenca Galeria, 1998
1997
Emerson, Stephanie, ed., Catherine Opie, Los Angeles: Museum of Contemporary Art Los Angeles, 1997
Exhibition Catalogues & Selected Publications
2024
Rolls-Bentley, Gemma, Queer Art, London: Frances Lincoln, 2024
Catherine Opie: Harmony is Fraught, Los Angeles: Regen Projects, 2024
2023
Viliani, Andrea, Walls, Windows and Blood, London: Thomas Dane Gallery, 2023
Phaidon editors, 100 Years of Creativity, London: Phaidon, 2023
2020
Pardo, Alona, Masculinities: Liberation through Photography, Berlin: Prestel, 2020
2019
Daderko, Dean, Stonewall 50, Houston: Contemporary Arts Museum Houston, 2019, pp. 14, 84 - 89
Wolf, Sasha, ed., Photowork: Forty Photographers on Process and Practice, New York: Aperture, 2019
Burkhalter, Laura, ed., Monument Valley, Des Moines: Des Moines Art Center, 2019, pp. 62 - 67 [ill.]
Buhmann, Stephanie, ed., Los Angeles Studio Conversations: Sixteen Women Talk about Art, Berlin: The Greenbox, 2019, pp. 176 - 188 [ill.]
There will never be a door. You are inside. Works from the Coleção Teixeira de Freitas, Madrid: Santander Fundación, 2019
Honoré, Vincent, et al., Kiss My Genders, London: Hayward Gallery Publishing, 2019, pp. 182 - 189 [ill.]
Cann, Tyler, Anastasia Kinigopoulo, and Drew Sawyer, Art after Stonewall, 1969-1989, New York: Rizzoli, 2019, pp. 78, 260 - 261, 289 [ill.]
2018
Cullinan, Nicholas, Michael Jackson: On the Wall, London: National Portrait Gallery Publishing/Paris: Réunion des Musées Nationaux-Grand Palais, 2018, pp. 32, 42, 124 [ill.]
Raymond, Claire, Women Photographers and Feminist Aesthetics, London: Routledge, London, 2018, 134 - 137 [ill.]
2017
Baker, Simon, Nancy W. Barr, Clément Chéroux, Marc Desportes, and Pascal Ory, Autophoto, Paris: Fondation Cartier pour l'Art Contemporain, and Éditions Xavier Barral, 2017, pp. 124 - 125 [ill.]
Gossett, Reina, Eric A. Stanley, and Johanna Burton, eds., Trap Door: Trans Cultural Production and the Politics of Visibility, Cambridge MA: MIT Press, Cambridge/New York: New Museum, New York, 2017, pp. 211 - 215 [ill.]
Manné, Jamie G., ed., and Christine Robinson, Unpacking: The Marciano Collection, Los Angeles: The Maurice and Paul Marciano Art Foundation/ New York: Prestel, New York, NY, 2017, pp. 174 - 177 [ill.]
Sawyer, Drew, Golden State, New York: Marianne Boesky Gallery, 2017, p. 20 [ill.]
Dress Matters: Clothing as Metaphor, Tuscon: Tucson Museum of Art, 2017
2016
Kvaran, Gunnar B., Nicolas Garait-Leavenworth, and Thierry Raspail, Los Angeles - A Fiction, Oslo: Astrup Fearnley Museet/Lyon: Musée d'art contemporain de Lyon, 2016, pp. 258 - 259 [ill.]
Brookman, Philip, Sarah Greenough, Andrea Nelson, Leslie Ureña, and Diane Waggoner, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker, Washington: National Gallery of Art, 2016, pp. 93 -
95 [ill.]
Lash, Miranda, and Trevor Schoonmaker, eds., Southern Accent: Seeking the American South in Contemporary Art, Durham: Nasher Museum of Art at Duke University, 2016, pp. 182 - 183 [ill.]
Bear, Jordan, Tyler Cann, Kris Paulsen, Nannette V. Maciejunes, and Drew Sawyer, The Sun Places in the Abyss, Columbus: Columbus Museum of Art, 2016, pp. 92 - 93 [ill.]
Daniella Rose King, Viktor Neumann, Samuele Piazza, and Kari Rittenbach, On Limits:! Estrangement in the Everyday, New York: Whitney Museum of American Art, 2016, pp. 18 - 20 [ill.]
Buckland, Gail, Who Shot Sports: A Photographic History, 1843 to the Present, New York: Alfred A. Knopf, 2017
Beshty, Walead, Devon Bella, Michele Fiedler, Julieta González, and Jens Hoffmann, Camera of Wonders, Milan: Mousse Publishing, 2016
2015
Brown, Jane, Marla Hamburg Kennedy, Ed Ruscha, and David L. Ulin, Both Sides of Sunset: Photographing Los Angeles, New York: Metropolis Books, 2015, pp. 30, 132 - 133, 208 - 209 [ill.]
Frickman, Linny, Jill Hartz, and Danielle M. Knapp, eds., Scrimmage: Football in American Art from the Civil War to the Present, Eugene: Jordan Schnitzer Museum of Art, 2015, pp. 34, 37, 110 [ill.]
Hurst, Ellen, ed., Art in Embassies, Madrid: United States Embassy, 2015, pp. 60 - 63 [ill.]
Stefanucci, Tracy, ed., Residue: The Persistence of the Real, London: Black Dog Publishing/ Vancouver: Vancouver Art Gallery, 2015, pp. 98 - 113 [ill.]
Blessing, Jennifer, Body of Art, London: Phaidon, 2015, pp. 72 - 73 [ill.]
Hushka, Rock, and Jonathan David Katz, Art AIDS America, Tacoma: Tacoma Art Museum/Seattle: University of Washington Press, 2015, pp. 96, 103, 157 - 158 [ill.]
Gioni, Massimiliano, ed., The Great Mother, Milano: Fondazione Nicola Trussardi, 2015
Fairbrother, Trevor, Katherine Hart, John T. Kirk, John O'Reilly, Michael R. Taylor, and James Tellin, Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hanover: Hood Museum of Art, 2015
Saslow, James M., Stephen Vider, and Cookie Woolner, On the Domestic Front: Scenes of Everyday Queer Life, New York: Leslie-Lohman Gay and Lesbian Art Foundation, 2015, pp. 21, 48 [ill.]
Ferguson, Russell, Perfect Likeness: Photography and Composition, Los Angeles: Hammer Museum, 2015
Writers Respond: Storylines: Contemporary Art at the Guggenheim, New York: Guggenheim Museum, 2015
Carson, Anne, Courtenay Finn, and Rebecca Solnit, The Blue of Distance, Aspen: Aspen Art Press, 2015
Miller, Dana, and Adam D. Weinberg, Whitney Museum of Art: Handbook of the
Collection, New York: Whitney Museum of American Art/New Haven: Yale University Press, 2015, p. 292 [ill.]
Confronting the Abject, William and Stephanie Sick Distinguished Professorship Monograph Series, Chicago: The School of the Art Institute of Chicago, 2015, pp. 15 - 37 [ill.]
Schwartz, Alexandra, Come As You Are: Art of the 1990s, Oakland: University of California Press, 2015
Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, New York: Prestel, 2015
2014
Union Station: 75 Years in the Heart of LA, Los Angeles: Metro, 2014
2013
Heartney, Eleanor, Helaine Posner, Nancy Princenthal and Sue Scott, The Reckoning: Women Artists of the New Millennium, New York: Prestel Publishing, 2013
Hoffmann, Jens, ed., Lens Drawings, Paris: Marian Goodman Gallery and Valerio Publishers, 2013
Doyle, Jennifer, Hold it Against Me: Difficulty and Emotion in Contemporary Art, Durham: Duke University Press, 2013
Sie. Selbst. Nackt., Ostfildern: Hatje Cantz/Bremen: Museen Böttcherstrasse, 2013, pp. 132 - 133 [ill.]
2012
Rideal, Liz, Self Portrait, Esbjerg: Rosendahls, 2012
2011
Wagner, Ethan and Suzanne Modica, Stonescape: Guide to Exhibition 2011, Napa Valley: Politics is Personal, 2011, pp. 26 - 27
Collection Vanmoerkerke, Brussels: Rispoli Books, Brussels, Belgium, 2011, pp. 180- 181 [ill.]
Maltzan, Michael, No More Play: Conversations on Urban Speculation in Los Angeles and Beyond, Los Angeles: University of Southern California School of Architecture, 2011, pp. 46-59
Wolfe, Ann M., ed., The Altered Landscape: Photographs of a Changing Environment, New York: Rizzoli, New York, 2011
2010
Katz, Jonathan D. and David C. Ward, Hide/Seek: Difference and Desire in American Portraiture, Washington D.C.: Smithsonian Books, 2010 [ill.]
Yoo, Hee-Young, ed., Trust: Media City Seoul 2010, Seoul: Se-Hoon Oh, 2010
Cooke, Lynne and Douglas Crimp, Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, Madrid: Museo Nacional Centro de Arte Reina Sofía: Madrid, Spain, 2010
Leszkowicz, Pawel, Ars Homo Erotica, Warsaw: National Museum in Warsaw, 2010
McGinley, Ryan and Catherine Opie, Everybody Knows This Is Nowhere, New York: Dashwood Books, 2010
Costantino, Tracie and Boyd White, eds., Essays on Aesthetic Education for the 21st Century, Rotterdam: Sense Publishers, 2010, pp. 22 - 26 [ill.]
2009
En Todas Partes: Políticas de la Diversidad Sexual en el Arte, Santiago de Compostela: Centro Galego de Arte Contemporánea, 2009 [ill.]
Bedford, Christopher, Peggy Phelan, and Julia Bryan-Wilson, Mixed Signals: Artists Consider Masculinity in Sports, New York: Independent Curators International, 2009, pp. 10 - 13, 54 - 55 [ill.]
2008
Role Models: Feminine Identity in Contemporary American Photography, Washington, D.C.: National Museum of Women in the Arts, 2008, pp. 111 - 115 [ill.]
Goldstein, Ann, Rebecca Morse and Paul Schimmel, eds., This is Not to be Looked At, Los Angeles: Museum of Contemporary Art, 2008 [ill.]
In Repose, Philadelphia: Galleries at Moore, 2008, p. 27 [ill.]
Bowers, Andrea and Catherine Opie, Andrea Bowers & Catherine Opie (Between Artists), New York: A.R.T. Press, 2008
2007
Kitade, Chieko, ed., Passion Complex: Selected Works from the Albright-Knox Art Gallery, Kanazawa: 21st Century Museum of Contemporary Art, 2007
2007 International Incheon Women Artists' Biennale: Knocking on the Door, Incheon: Incheon Metropolitan City, 2007, p. 146 [ill.]
Red Eye: L.A. Artists from the Rubell Family Collection, Miami: Rubell Family Collection, 2007, p. 82 [ill.]
Darling Take Fountain, Athens: Kalfayan Galleries, 2007, pp. 56 - 57 [ill.]
All the More Real: Portrayals of Intimacy and Empathy, Southampton NY: Parrish Art Museum, 2007, pp. 106 - 107 [ill.]
Training Your Gaze: A Practical Introduction to Portrait Photography, Zurich: AVA Publishing SA, 2007, pp. 223, 90, 92, 93,95 [ill.]
Global Feminisms: New Directions in Contemporary Art, Brooklyn NY: Brooklyn Museum, 2007, pp. 39, 65, 230, 280 [ill.]
Enwezor, Okwui, ed., The Unhomely: Phantom Scenes in Global Society, Seville: 2nd International Biennial of Contemporary Art of Seville, Spain, 2007, pp. 236 - 237 [ill.]
Karnes, Andrea and Pam Hatley, ed., Pretty Baby, Fort Worth: Modern Art Museum of Forth Worth, 2007, pp. 34 - 35 [ill.]
Multiple Vantage Points: Southern California Artists, 1980-2006, Los Angeles: Municipal Art Gallery, 2007, pp. 64 - 65 [ill.]
2006
Holland, Cherene and Amy Milgrub Marshall, eds., Couples Discourse, Palmer PA: Palmer Museum of Art, 2006, pp. 88 - 89 [ill.]
Vitamin Ph: New Perspectives in Photography, London: Phaidon Press, 2006, pp. 200 - 203 [ill.]
Ellipse Foundation: Contemporary Art Collection, Cascais: Ellipse Foundation Contemporary Art Collection, 2006 [ill.]
The Eighth Square: Gender, Life, and Desire in the Arts since 1960, Ostfildern: Hantje Cantz, 2006, p. 70 [ill.]
Still Points of the Turning World: Site Santa Fe Sixth International Biennial Exhibition, Santa Fe: Site Santa Fe, 2006, pp. 151 - 1599 [ill.]
Dark Places, Santa Monica: Santa Monica Museum of Art, 2006, p. 16 [ill.]
Wolfe, Ann M., Suburban Escape, Santa Fe: Center for American Places/San Jose: San Jose Museum of Art, 2006, pp. 58, 62 [ill.]
Rinder, Lawrence, Art Life, New York: Gregory R. Miller & Co., 2006, p. 58 [ill.]
Nairne, Sandy and Sarah Howgate, The Portrait Now, London: The National Portrait Gallery, 2006, pp. 15, 20, 148 [ill.]
Schlegel, Eva, L.A. Women, Vienna: Bundeskanzleramt Kunst, 2006, pp. 54 - 57 [ill.]
Bollen, Christopher and Alix Browne, eds., Artists, photographed by Jason Schmidt, Paris: Edition 7L, 2006, p. 43 [ill.]
2005
Richer, Francesca, and Matthew Rosenzweig, eds., No. 1: First Works by 362 Artists, New York: D.A.P., 2005, p. 272 [ill.]
Bidibidobidibo, Turin: Fondazione Sandretto Re Rebaudengo, Turin, Italy, 2005 [ill.]
Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum, Lugano: Galleria Gottardo, 2005, pp. 112 - 117 [ill.]
Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, San Diego: San Diego Museum of Art, 2005, pp. 114-5 [ill.]
Baume, Nicholas, Getting Emotional, Boston: Institute of Contemporary Art, 2005, p. 102 [ill.]
Ideal Worlds: New Romanticism in Contemporary Art, Frankfurt: Schirn Kunsthalle Frankfurt/Hatje Cantz, 2005, pp. 194 - 215 [ill.]
Universal Experience, Chicago: Museum of Contemporary Art, 2005, p. 112, [ill.]
Mahon, Alyce, Eroticism & Art, Oxford: Oxford University Press, 2005, pp. 265 - 267 [ill.]
Kraus, Chris, Jane McFadden, and Jan Tumlir, L.A. Artland: Contemporary Art from Los Angeles, London: Black Dog Publishing, 2005, pp. 126 - 129 [ill.]
Lazzari, Margaret and Dona Schlesier, Exploring Art, Belmont: Thomson Wadsworth, 2005, p. 213 [ill.]
McDaniel, Craig and Jean Robertson, Themes of Contemporary Art: Visual Art After 1980, Oxford: Oxford University Press, 2005, pp. 116 - 117, 146 [ill.]
2004
100 Artists See God, New York: Independent Curators International, 2004, p. 68 [ill.]
26th São Paulo Biennial, São Paulo: Biennial Foundation, 2004, pp. 180 - 181 [ill.]
Contemporary Photography and the Garden: Deceits and Fantasies, New York: Harry N. Abrams, pp. 114-117 [ill.]
Sexes image - pratiques et pensées contemporaines, Paris: Beaux Arts, 2004
That bodies speak has been known for a long time, Vienna: Sabine Breitwieser/Generali Foundation, 2004
Whitney Biennial 2004, New York: Whitney Museum, 2004, p. 220 [ill.]
Hamburg Kennedy, Marla and Ben Stiller, Looking at Los Angeles, New York: Metropolis Books, 2004, pp. 76 - 77, 92 - 93 [ill.]
2003
Art, Lies, and Videotape: Exposing Performance, Liverpool: Tate Publishing,2003
Art and Photography, London: Phaidon, 2003, p. 124
Cindy Sherman, London: Serpentine Gallery, 2003, p. 18 [ill.]
Family Ties: A Contemporary Perspective, Salem: Peabody Essex Museum, 2003, p. 37 [ill.]
Just Love Me: Post Feminist Art of 1990s from Goetz Collection, Munich: Sammlung Goetz, 2003
Micropolitics: Art and Everyday Life 2001 - 1968, Valencia: Consorci de Museus de la Comunitat Valenciana, 2003, pp. 284 - 289 [ill.]
Subjective Realities: Works from the Refco Collections of Contemporary Photography, New York: Refco Group, Ltd., 2003, p.182 - 183 [ill.]
Tu, Hung Q., Structures of Feeling, San Francisco: Krupskaya, 2003, [ill.]
2002
American Visionaries: Selections from the Whitney Museum of American Art, New York: Abrams, 2002, p. 231 [ill.]
Die Wohltat der Kunst, Post/Feministische Positionen der Neunziger Jahre aus der Sammlung Goetz, Munich: Sammlung Goetz/Baden-Baden: Staatliche Kunsthalle Baden-Baden, 2002, pp. 126 - 131 [ill.]
Lucie-Smith, Edward, Art Tomorrow, Paris: Finest S.A/ Editions Pierre Terrail, 2002, p.199 [ill.]
formal social, Münster: Westfalischer Kunstverein, 2002
Fusion Cuisine, Athens: Deste Foundation, Centre for Contemporary Art, 2002, pp. 136 - 137 [ill.]
Hautnah: Die Sammlung Goetz, Munich: Museum Villa Stuck, Munich, Germany, p. 66 - 69, [ill.]
PhotoEspana 2002, Madrid: International Festival of Photography, 2002
The Spirit of Family, New York: Henry Holt, 2002, pp. 28, 72 [ill.]
Wolf, Sylvia, Visions from America Photographs from the Whitney Museum of American
Art, New York: Whitney Museum of American Art, 2002
Gonzalez, Jennifer, Art/Women/California: Parallels and Intersections, 1950 - 2000, Berkeley: University of California Press/ San Jose: San Jose Museum of Art, pp. 219 - 240, 241 - 256 [ill.]
2001
Open City: Street Photographs since 1950, Oxford: Museum of Modern Art Oxford, 2001, pp. 18, 168 - 173, [ill., cover]
Over Exposed: Essays on Contemporary Photography, New York: The New Press, 2001
Bohn-Spector, Claudia and Jennifer Watts, eds., The Great Wide Open: Panoramic Photographs of the American West, London: Merrell Publishers Ltd., 2001, pp. 104 - 107 [ill.]
2000
Decter, Joshua, Auto Werke, Stuttgart: Hatje Cantz, 2000, pp. 5 - 6 [ill.]
Beyond Boundaries: Contemporary Photography in California, San Francisco: The Friends of Photography, 2000, p. 26 [ill.]
Burke, Gregory and Hannah Scott, eds., Drive power>progress>desire, New Plymouth: Govett-Brewster Publications, 2000, p. 46 [ill.]
Frohn, Ursula and Christian Katti, eds., Escape_Space, Kreichtal: Ursula Blickle Stiftung, 2000, pp. 106 - 113 [ill.]
Hammond, Harmony, ed., Lesbian Art in America, New York: Rizzoli, 2000, pp. 150 - 152 [ill., cover]
Made in California: Art, Image, and Identity, 1900 - 2000, Los Angeles: Los Angeles County Museum of Art, 2000, pp. 16, 252 - 253 [ill.]
Magnetic North, Minneapolis: Walker Art Center/Winnipeg: Video Pool Inc., October 2000, p. 50 [ill.]
Boyle, Kevin J., ed., Rearview Mirror: Automobile Images and American Identities, Riverside: University of California Riverside Museum of Photography, 2000
Sites Around the City: Art and Environment, Phoenix: Arizona State University Fine Arts, 2000, p. 40 [ill.]
Cortes, Jose Miguel G., ed., Zona F, Castello: Espai d' Art Contemporani de Castello, 2000
1999
Bauer, Silvia, "Beyond the Gender Principle," in Differences Within Gender Studies, Berlin: Erich Schmidt Verlag, 1999, pp. 86 - 105 [ill.]
Shaw, Nancy, ed., The Modernist Document/Le Document Moderniste, Montreal: Leonard & Bina Ellen Art Gallery, Montreal, 1999
1998
Artenergie: Art in Jeans, Milan: Edizioni Charta, 1998, pp. 104 - 105 [ill.]
The Edge of Night: Urban Landscape Photography, New York: Hunter College, 1998
From the Corner of the Eye, Amsterdam: Stedelijk Museum, 1998 [ill.]
Bonami, Francesco, ed., L.A. Times: Art e da Los Angeles nella Collezione Re Rebaudengo Sandretto, Turin: Fondazione Sandretto Re Rebaudengo, 1998 [ill.]
New Langton Arts, San Francisco: New Langton Arts, 1998. p. 155 [ill., cover]
Janus, Elizabeth and Marion Lambert, eds., Veronica's Revenge: Contemporary Perspectives on Photography, Ann Arbor: LAC, 1998 [ill.]
Borzello, Frances, Seeing Ourselves: Women's Self-Portraits, London: Thames and Hudson, 1998, pp. 180, 183 [ill.]
O'Dell, Kathy, Contract with the Skin: Masochism Performance Art and the 1970s, Minneapolis: University of Minnesota Press, 1998, pp. 80, 83, 109, 36 [ill.]
1997 a/drift, Annandale-on-Hudson: Center for Curatorial Studies at Bard College,1997 [ill.]
American Art 1975 - 1995 from the Whitney Museum: Multiple Identity, Turin: Castello di Rivoli/Rome: Museo d'Arte Contemporanea, 1997
Lahs-Gonzales, Olivia, Defining Eye: Women Photographers of the 20th Century, St. Louis: Saint Louis Art Museum, 1997
Crenzien, Helle and Lars Nittve, Sunshine & Noir: Art in L.A. 1960 - 1997, Humlebaek: Louisiana Museum of Modern Art,1997 [ill.]
Rrose is a Rrose is a Rrose: Gender Performance in Photography, New York: Jennifer Blessing/Guggenheim Museum of Art, [ill.]
Sobel, Dean, Identity Crisis: Self-Portraiture at the End of the Century, Milwaukee: Milwaukee Art
Museum,1997
Torres, Jose Alvaro Perdice, Cruising L.A., Madrid: Galeria Soledad Lorenzo, 1997 [ill.]
Marcoci, Roxana, Diana Murphy, and Eve Sinaiko, eds., New, New York: Harry N. Abrams, 1997
1996
Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, New York: Whitney Museum of American Art, 1996, p. 19 [ill.]
Clearwater, Bonnie, ed., Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles, Miami: Museum of Contemporary Art, [ill.]
Persona, The Renaissance Society at The University of Chicago, Chicago, Basel: Kunsthalle Basel, 1996 [ill.]
Jones, Amelia, ed., Sexual Politics, Los Angeles: Hammer Museum, 1996, pp. 35, 225, 261, 224 [ill.]
Snyder, Jill, In the Flesh, Ridgefield: Aldrich Museum of Contemporary Art, 1996, p. 22 [ill.]
Fuku, Noriko, The Now Art Book, Kyoto: Shiseido and Korinsha Press & Co., Ltd., 1996, pp. 109 - 111 [ill.]
Chadwick, Whitney, Women, Art, and Society, London: Thames & Hudson, 1996, p. 391, 396 [ill.]
Berger, Maurice, Brian Wallis, and Simon Watson, eds., Constructing Masculinity, New York: Rutledge, p. 43 [ill.]
1995
Bonami, Francesco, Campo 95, Turin: Umberto Allemandi, 1995
Fullerton, Kim, Fabrications, Toronto: Toronto Photographer's Workshop, 1995, [ill.]
feminimasculin: le sexe de l'art, Paris: Centre Georges Pompidou, 1995 [ill.]
Blake, Nayland, Lawrence Rinder, and Amy Scholder, eds., In a Different Light, San Francisco: City Lights Books, 1995 [ill.]
Kertess, Klaus, 1995 Biennial Exhibition, New York: Whitney Museum of American
Art/Harry N. Abrams, 1995 [ill.]
Gumpert, Lynn, La Belle et la Bête, Musée d'Art Moderne de la Ville de Paris, Paris, France, 1995 [ill.]
Lord, Catherine. Pervert, Irvine: The Art Gallery, University of California, Irvine, 1995 [ill.]
Neumaier, Diane, ed., Reframings: New American Feminist Photographies, Philadelphia: Temple University Press, [ill.]
1994
Love In the Ruins: Art and the Inspiration of L.A., Long Beach: Long Beach Museum, 1994 [ill.]
Oh boy, it's a girl! Feminism in der Kunst, Munich: Kunstverein, 1994, pp. 80 - 86 [ill.]
Engberg, Juliana, Persona Cognita, Melbourne: Museum of Modern Art at Heide, 1994 [ill.]
Rugoff, Ralph, Transformers, New York: Independent Curators Incorporated, 1994 [ill.]
1993
Lippard, Lucy, Back Talk: Women's Voices in the 90s, Santa Barbara: Museum of Contemporary Arts, 1993
1992
Wasteland, Rotterdam: Bas Vroege, 1992
1984
Inside/Out, San Francisco: San Francisco Art Institute, 1984