John Gerrard: Keynote speaker at 'In this brief time: art, environment and ecology' Symposium

Trinity College Dublin

Robert Emmet Theatre

Arts Building

Dublin

Saturday 24 November 2018

11.30am – 5pm 

Free

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Talk:  'The Artist's Voice', Glenn Ligon in conversation with Jason Moran, jazz pianist

ICA Boston, Boston MA

15 November 2018, 7pm

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Cecily Brown: Where, When, How Often and with Whom

Louisiana Museum of Modern Art, Humlebaek

8 November 2018 - 10 March 2019

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Akram Zaatari: The Script

Turner Contemporary, Margate 
Private view: 18 October, 5:30-7: 30 pm - Reserve a place here
Exhibition dates: 19 October 2018 - 6 January 2019
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Akram Zaatari 'The Fold' 
Lies Public Lecture Series at The Institute of Advanced Studies, University College London

IAS Common Ground, UCL, WC1E
19 October, 6-8 pm
Free - Reserve a place here
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Picture Industry: A Provisional History of the Technical Image, 1844-2018
Organised by Walead Beshty

Luma Arles, Arles
13 October 2018 - 6 January 2019

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Terry Adkins: À Cris Ouverts, 6th edition of Les Ateliers de Rennes - Contemporary Art Biennale

29 September - 2 December 2018

Rennes, France

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Akram Zaatari: The Fold - Space, time and the image

Contemporary Arts Center, Cincinnati
5 October 2018 - 10 February 2019

For this exhibition, Zaatari positions the seemingly simple fold as a narrative form. The artist explains how "a photograph captures space and folds it into a flat image, turning parts of a scene against others, covering them entirely. Every photograph hides parts to reveal others...What a photograph missed and what was present at the time of exposure will remain inaccessible. In those folds lies a history, many histories." The exhibition will attempt to uncover and imagine these stories, peering into the scratches, erosion and that which archives previously shed.
Curated by Steven Matijcio and presented in partnership with FotoFocus Biennial 2018.

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Hurvin Anderson: Awarded the first TenTen Commission by the Government Art Collection

The TenTen Commission is being produced jointly by the Government Art Collection with Outset Contemporary Art Fund and is sponsored by Sybil Robson Orr and Matthew Orr.

Every year over the next decade, a British artist will be commissioned to create a unique, limited edition print which will be shown in diplomatic buildings across the world. 

Hurvin Anderson's print Still Life with Artificial Flowers is an intricate print that evokes a snapshot of the artist's mother's front room in Birmingham. Anderson worked with The Print Studio to replicate sourced and saved fabrics and wallpapers. The thirteen base colours are built up from fifteen stencils over twentyone layers, the rich use of pattern to flatten the space referencing the techniques of Henri Matisse.

Amy Sillman: Artist Talk

De Ateliers, Amsterdam

2 October, 5-6pm

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Amy Sillman: Landline

Camden Arts Centre, London
28 September, 2018 - 6 January, 2019

Landline will be Amy Sillman's first institutional exhibition in the UK and will feature a new site-specific installation made for Camden Arts Centre. 
Working in a bold new format for the very first time, Sillman has created a sequence of large double-sided works on paper that combine print, drawing and painting.

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